Skip to content 
Sometimes, a single image is enough to bring an entire chapter of the past back to life. This is the case with this sepia photograph, dated March 1892, found in the archives of Puebla, Mexico. It shows a woman sitting on a finely crafted chair, her gaze lost in thought, holding two babies with peaceful faces in her arms. For decades, this family portrait was seen as a simple testament to maternal love—until it was discovered that it held a tragic story and a mystery that continues to fascinate historians.
An image from another time
But on closer inspection, something is unsettling. The young woman’s gaze seems distant, suspended between tenderness and detachment. The twins, Ana Lucía and José Miguel, appear strangely still. This impression, noted by several researchers, can perhaps be explained by the long exposure times of the era, which required complete stillness. And yet, some see in it a premonitory symbolism, an echo of the tragic fate that awaited this family.
A vulnerable mother
A few months before the photograph was taken, Catalina had given birth to her twins after a difficult delivery. Records indicate that she was very weak, both physically and emotionally. The term “maternal melancholy,” used in 19th-century medical journals, already referred to what we now call postpartum depression. At a time when mental health remained taboo, these disorders were poorly understood, and women who suffered from them were often isolated.
Felipe, her husband, worried but preoccupied with his business, hired several servants to help him. The surviving accounts describe a young mother who was distracted, sometimes absent-minded, lost in her thoughts. Nothing alarming by the standards of the time, when people simply spoke of “nervous fatigue.” But what followed would reveal a human tragedy that the medicine of the day could not explain.